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the long good friday ending explained
March 25, 2021 - Uncategorized
He finds out soon enough, and bloody mayhem ensues. The driver’s eyes in the rearview mirror stare at Harold, as if to say, “Don’t move! I mean sure Goodfellas and Godfather were more epic and lavish. He winces. [5] The film was commissioned by Charles Denton, at the time both Programme Controller of ATV and Managing Director of Black Lion. Very rarely will anyone die for a righteous person, though for a good person someone might possibly dare to die. Browse more videos. He can’t kill anybody. After some investigation, Shand confronts Jeff, who confesses that under pressure from Councillor Harris, he sent Shand's friend Colin to Belfast to deliver money raised by Irish Navvies to the IRA. [2] It was also reported at the same time that Bob Hoskins was suing both Black Lion and Calendar Films to prevent their planned release of a US TV version in which Hoskins' voice would be dubbed by English Midlands actor David Daker. Later, Colin is murdered whilst swimming. Criterion presents The Long Good Friday in … "The Long Good Friday'' has a lot to recommend it, chiefly in the fine performances of Bob Hoskins, as an underworld kingpin, and Helen Mirren as his very shrewd, curiously admirable partner in crime. The 1980 original starred Bob Hoskins as an East End gangster whose criminal empire comes under attack from a wave of mysterious bombings. Change ), You are commenting using your Facebook account. The car ominously turns on its headlights (just like the mystery vehicle earlier) and creeps hither. Change ), Two Smiles, a Hallway, and a Pair of Elevator Doors. He even smiles, as if he’s in denial of the situation. Ending / spoiler for The Long Good Friday (1980), plus mistakes, quotes, trivia and more. The conflict in Northern Ireland — the Troubles — in its violent form spanned three decades, from about 1968 to 1998. Although The Long Good Friday is firmly rooted in a very different era -- early 1980s Britain is another country entirely -- the film still feels fresh and uncompromisingly tough. “I’ve pulled the plug on them!” says Harold. It was completed in 1979,[2] but because of release delays, it is generally credited as an 80s film. “Where’s Victoria?” he notices. We are now focused on this car. A remake of the classic British crime film The Long Good Friday is being planned, it has been confirmed. It’s a moving shot (following with the movement of Harold’s car), and this active movement really gives this shot its full effect. "Good Friday is the English designation of Friday in Holy Week . ( Log Out / Harold is caught off-guard by the jerk of the car. This two-second shot becomes a character not unlike the ending of the series finale of The Sopranos or, if you prefer, words written across a black frame in a Jean-Luc Godard film. How could he ever be so wrong? "The Long Good Friday" tells his story in a rather indirect way, opening with a montage of seemingly unrelated events, held together by a hypnotic music theme. [This is my contribution to the Endings Blog-a-thon being hosted at Joe’s Movie Corner.]. Because there’s nothing he can do. Playing next. [7], On review aggregator Rotten Tomatoes, the film has an approval rating of 96% based on 28 reviews, with an average rating of 8.10/10. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. [5], Under the title "The Paddy Factor",[6] the original story had been written by Keeffe for Hanson when the latter worked for Euston Films,[4] a subsidiary of Thames Television. The cuts, he said, would be "execrable"[4][5] and added up to "about 75 minutes of film that was literal nonsense". It's a spiritual thing to see a performance this good, I tells ya. Change ), You are commenting using your Twitter account. For Harold, this (this frame, this moment that he’s been defeated, this second) is the end. I would’ve only been able to mention the obvious and “popular” titles: Goodfellas, The Godfather, The Godfather Part II, Casino, Carlito’s Way, Road to Perdition, Donnie Brasco… maybe I would have even mentioned The Untouchables (even though I hadn’t, and still haven’t, seen it). The OED states that "good" in this context refers to "a day or season observed as holy by the church", hence the greeting "good tide" at Christmas or on Shrove Tuesday. But he’s too late. Bob Hoskins, in his breakthrough film role, stars as a London racketeer fast losing control of his gangland empire; Helen Mirren shines as his classy moll. As the car speeds to an unknown destination, Shand contemplates the inevitability of his fate. They thought they had him under control. ), “My new deal is with Europe. It led to the loss of thousands of lives and even more casualties, affecting Catholics and Protestants; paramilitaries and civilians in the North; British security forces serving in Northern Ireland, England, and on the European continent; and British civilians who were victims of IRA attacks in England. The recipients realise that money is missing but are then attacked. But that isn't the major drawback it sounds like. On this day Christians commemorate the passion, or suffering, and death on the cross of Jesus Christ. She even seems a little nervous. As brutal and zig-zagging and in-your-face as the movie is, we don’t really get the full dose until we see the ending, which is probably the best element of the movie. ( Log Out / The Long Good Friday [Original Motion Picture Soundtrack] Add to Custom List. Harold is in awe and isn’t quite absorbing everything: all this has come much to fast. Vowing to destroy the terrorist organisation in London, Shand loses his temper and kills Jeff in a frenzy. He really thinks that he has everything figured out. [2], The film was scheduled to be televised with heavy cuts on 24 March 1981. Good Friday is a Christian holiday commemorating the crucifixion of Jesus and his death at Calvary.It is observed during Holy Week as part of the Paschal Triduum on the Friday preceding Easter Sunday, and may coincide with the Jewish observance of Passover.It is also known as Holy Friday, Great Friday, Great and Holy Friday (also Holy and Great Friday), and Black Friday. At this point, we aren’t asking questions, just curious to see the denouement, what’s left to be tied up. What program do you use for your screen-grabs? Charlie becomes sarcastic: “I always react like that to bombs blowing up, mass murders. Note: Spoilers galore! Even though the film can’t reasonably cut straight to the credits and must go to black first, the black frame is an integral part of the ending. They’ve got ambition, know-how, and they don’t lose their bottle.”. The Long Good Friday (1980) Paramount PicturesDirected by John MackenzieMusic by Francis Monkmanhttps://www.instagram.com/in.fo_the_end/ She starts to suspect Shand's right hand man, Jeff, knows more about who is behind the attacks than he claims. Someone knocks at the door, as the person on the radio announces their “political correspondent gives you the facts behind the headlines.” An arm enters the frame and turns off the device, as if to silence it. On 10 April 1998, a deal was reached to bring an end to Northern Ireland's Troubles, in what became known as the Good Friday Agreement. Even after its intrigue has been explained, the movie has no shortage of loose ends. Now, a film professor from this past semester suggested that once a character moves out of frame, there is a new composition, and the audience is left thinking about what in this environment he or she is supposed to be looking at. Harold finds it funny that Americans can’t handle the “little problem” between two rival gangs here in Britain. Good Friday is observed on the Friday before Easter Sunday. The violence caused billions of dollars of economic harm and left deep social and psychological scars. Everything is eventually explained. Note: Spoilers galore! The Long Good Friday: … (It’s even more amazing to watch in the movie. “You wait here… I won’t be a minute,” he tells Victoria as he gets out the car. The Long Good Friday succeeds on many fronts. The news of this is an outrage to Shand who is shocked at the declining code of conduct among the underworld. I dunno. Romans 5:6-10 - "You see, at just the right time, when we were still powerless, Christ died for the ungodly. [9] However, the film was never made. It is the day we were redeemed from our sins by the voluntary death of God Himself at the hands of man. And what really impressed me is that some of these unbeknownst-to-me movies played the usual gangster game — but they did it even better than the so-called “classics.”. On Good Friday while Shand's mother attends church, her waiting driver is killed when her car explodes. The Long Good Friday is a 1980 British gangster film[1] starring Bob Hoskins and Helen Mirren. Can everything be this perfect? Euston did not make the film, but Hanson bought the rights from Euston for his own company Calendar Films. 4:02. “You two can’t wait to get out of here, can you?” He’s a bit offended. 4:02. A thug holds Victoria (Mirren silently screams in such a creepy, desperate performance in these few seconds) in the car against her will, his arm around her neck. Report. “But that’s settled,” pleads Harold, “once and for all.” This guy requests a porter and a cab. Even with lesser performances, the script and John Mackenzie's solid direction would make The Long Good Friday a keeper, but Hoskins's explosive portrait of Shand and his descent toward brutal revenge elevates the film into the very front rank, earning admiring comparisons to The Godfather, Scarface, GoodFellas, and other classics of that genre. Want to read this article? Harold Shand, a London gangster, is aspiring to become a legitimate businessman and is trying to form a partnership with Charlie, a boss of the American Mafia, with a plan to redevelop London Docklands. Believing his enemies are dead, Shand travels to the Savoy Hotel to triumphantly inform Charlie and his assistant Tony, only to find the Americans preparing to leave, having been spooked by the carnage. We feel his pain. So does The Long Good Friday. The Long Good Friday - Ending - HD. Now he is getting personal with them. The storyline weaves together events and concerns of the late 1970s, including mid-level political and police corruption, IRA fund-raising, displacement of traditional British industry by property development, UK membership of the EEC, and the free-market economy. A little bit more than a hot dog. [4] Although Hanson designed the film for the cinema and all contracts were negotiated under a film, not a TV agreement, the production was eventually financed by Black Lion, a subsidiary of Lew Grade's ITC Entertainment for transmission via Grade's ATV on the ITV Network. This exact angle on the car holds for about a second or so, but because we are so focused on Harold, we don’t notice in the lower-left corner of the frame that someone is missing in the backseat. The car in the foreground has Harold and his moll, Victoria (played by the precious Helen Mirren), and there’s a car in the background. The picture quality is top-notch and is ably supported by remastered mono audio, along with a fine set of extras for the standalone Blu-ray release (plus even … 2:05. A man named Colin delivers money to an unknown destination in Belfast, taking some of the cash in the process. Harold (now he’s not happy) finds out that Charlie is leaving due to all the recent violence: “a couple days that turned out to be another St. Valentine’s Massacre,” says Charlie. He’s convinced that he has everything under control. Before I saw it, anyone could have asked me to rattle off a list of mob movies. He’s taken all this very personally, and Harold calls them “wankers” and says how glad is that he hasn’t become business partners with them, considering they’re “in a f***ing coma,” as Harold puts it. There is no retribution this time: there isn’t going to be a way out of this. But he stops in the doorway and turns around Columbo-style, almost as if he was ready to say, “Oh, and one more thing…”. The storyline weaves together events and concerns of the late 1970s, including mid-level political and police corruption, IRA fund-raising, displacement of traditional British industry by property development, UK membership of the EEC, and the free-market economy. Now we’re inside the room, and a tracking shot directs us to the radio, which is reporting about the events that happened during the climax (I don’t want to spoil too much). Yes, the story has the action cranked up to an eleven, but The Long Good Friday is very much a character study of Hoskin’s character, Harold. Charlie: “…’a little problem.’ Harold, this is like a bad night in Vietnam!”. His vehicle all of a sudden looks as if it’s out in the open, naked for attack, like a sitting duck. As infectious as Bronsan’s smile is, we cringe, because this is a joke. The other car turns on its headlights and comes toward the camera. “All the troubles are over.” Charlie doesn’t seem to be in a good mood, almost as if he is unhappy to see Harold. Nice analysis. We got you.”. Leaving the hotel, Shand steps into his chauffeur-driven car only to find it has been commandeered by IRA assassins. Culture, sophistication, genius. At first I was a bit confused about what was going on and what the killings had to do with him, since he just seemed like an ordinary businessman looking to close a big deal. They try to take this affront with stride since that’s really their only option with someone as pissed-off as Harold, who then mentions the Americans’ energy crisis and their war that they started. This decline parallels the decline of his empire throughout the film. The Long Good Friday review – sheer, ground-breaking brilliance 5 / 5 stars 5 out of 5 stars. He explains that three of the IRA's top men were killed on the same night after discovering some of the money had been stolen. [5], Before the planned ITV transmission the rights to the film were bought from ITC by George Harrison's company, Handmade Films, for around £200,000 less than the production costs. But why? Change ), You are commenting using your Google account. Shand realises the IRA have come to the conclusion that he sold them out to the security forces and pocketed the missing cash for himself. ( Log Out / We don’t know whose it is, so why do we all of a sudden subconciously care about this car? What separates this from the rest of the pack? The Long Good Friday took a little while before I realized that Bob Hoskins was playing a small-time British gangster who wants to move up in the world. The Long Good Friday is a 1980 British gangster film starring Bob Hoskins and Helen Mirren. Both Mackenzie and Bob Hoskins have been enthusiastically supporting the film's imminent re … (the day) on which the Church keeps the anniversary of the Crucifixion of Jesus Christ. But God demonstrates his own love for us in this: While we were still sinners, Christ died for us. “Everything’s all right,” says Harold, all smile as he enters the room. The Long Goodbye has been described as "a study of a moral and decent man cast adrift in a selfish, self-obsessed society where lives can be thrown away without a backward glance... and any notions of friendship and loyalty are meaningless." He shuts the door (thus turning off the light in the car and leaving her in darkness) and goes into the hotel. Harold (Bob Hoskins), a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. Mloiaimes. Add to My Collection. Shand would retire to Jamaica, then return to stop the East End being taken over by the Yardies. User Ratings (0) Your Rating. There were mob movies just waiting for me to discover them that were without color, with subtitles, with actors I had never seen before, with stories that took a different spin on the whole mob genre. Naruto Shippuuden ending 7 Long Kiss Good Bye. 6 . In the Long Good Friday, he positively brings to life british bulldog, Harold Shand, an East End gangster with an eye to going legit and becoming a bona fide businessman, albeit with the assistance of the American Mafia and a couple of corrupt politicians and coppers. No men to order around. It is the day our Savior died for us. Didn’t he have everything figured out? So I guess you could say it’s one of the most memorable of my late-teens cinematic experiences. Barrie Keeffe wrote a sequel, Black Easter Monday, set twenty years after the events of the first film. The jazzy sax starts playing on the soundtrack, and he tries to piece everything together. 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