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julian schnabel interview

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It … I will continue doing things the way I have done them my whole life. Until now, I never really saw myself as a talented chef! I’ll do it, I’ll save up some money...” Because by then the door will be closed.”, “My whole purpose in life is to communicate what I’m doing. Photo by Max von Gumppenberg and Patrick Bienert Julian Schnabel: “I never thought of art as a career” July 6, 2011 . People like honesty. No. Photograph: Shooting Star/SIPA USA/PA Images The divisive director and artist on the irrelevance of the Oscars, why facts weren’t … Interview with Max Hollein by Gwynned Vitello // Portrait by Evan Pricco . The “ball has come back into his court” as he gratefully acknowledged during his press preview. (top photo: Julian Schnabel, Ragazzo Padre, 1988, oil and gesso on tarpaulin, 16 x 16; Large Girl with No Eyes, 2001, oil and wax on canvas, 136″ x 124″; Jane Birkin #2, 1990, oil and gesso on sailcloth, 16 x 26″˜. Interviews with figures from pop culture: fashion, film, art, music. You can’t say then, “Well, I’ll go through it two years from now. There’s no reason we can’t.”, “You can look at these tough times as an opportunity to get closer and to learn from each other. So everything I loved I had to defend.”, “Life is confounding and who knows what’s around the next corner. Life is my guru.”, “I always try to concentrate on the process and where the real goal is, which is trying to get up every day and be the best possible version of myself and do the best work I can do.”, “Failure is just something you have to go through on your own. It is like tuning a violin. I would definitely be a problem to the people who have to put up with me, live with me, deal with me. Schnabels stated intent, for this painting as well as the entire exhibition ““ here perfectly, if not hypnotically achieved ““”is to force the viewer to look at the painting and not the eyes.” The most cinematically stunning works on view is Painting for Malik Joyeux and Bernardo Bertolucci V and VI, two enormous black and white photographs, from Schnabels 2006 “Surfing” series. Interview by Spencer Bailey Portrait by Grant Cornett Artwork courtesy Julian Schnabel November 1, 2013 . I am my biggest critic. I’m not going to quit.”, “One day I realized that it didn’t matter whether people loved me or not. I was born here. Does it matter? I was released of all that insecurity when I released myself from that fantasy and came to the conclusion that I could be happy making music regardless of whether I was successful or not.”, “Wherever any of us have been wounded, if we dive into what those wounds are, if we go down into and do the hard work within those wounds, we’ll actually find ourselves, we’ll find our real giftedness, a sincere, true giftedness.”, “The truth. I don't want to think when I am working. I know what I want people to do and ultimately it is a spontaneous kind of activity. Photo by Ian Lefevbre.© 2010 Art Gallery of Ontario. I thought it was more like a monastic practice. 2010 Julian Schnabel, Painting for Malik Joyeux and Bernardo Bertolucci (V), 2006, Gesso and ink on polyester, 20' x 15'. I have to be open and I have to be open to the possibilities.”, “I used to tease the other kids because I played better than them. But he took photographs that are a gift to see. When you visit the-talks.com, The Talks uses cookies in order ensure the proper functionality of the site and to analyze our traffic. Only three years ago I was confident to start focusing on removing, and this is when I finally created a dish where I felt like I achieved what I tried to do for 23 years.”, “I have a tattoo that goes around my right wrist that looks like barbed wire, but it’s actually ANDAND linked together, which stands for “A New Dawn, A New Day.” It’s about waking up every day knowing that you have a chance to start again and forgive and be forgiven and to let go of yesterday.”, “Just about anything is possible if you can find the map or the blueprint to get there. I know the difference between right and wrong, I know what I feel comfortable with. Even The Godfather got a terrible review. I hadn’t tohguht about it quite that way. I try to learn at least one thing on every album, to reach out. Miral . They end up feeling that way and that is why the movies are good. I think it’s really important to not be afraid of failure and to push yourself to try things and jump in the cold water.”, “If people don’t like the pictures, I don’t care. With such a concentrated build-up, inevitably critics began the attack. I mean Gladiator came out when my movie Before Night Falls came out. Julian Schnabels current exhibition, “Julian Schnabel: Art and Film”, at the Art Gallery of Ontario, Torontos MoMA, is following in the footsteps of the museums King Tut exhibition, as both men are known for doing things in a very big way – King Tut with his tomb, and Schnabel, as highly evidenced here, with his titanic canvases. By the end of the 80s, certainly in the United States ““ in Europe he was still making inroads ““ the Klieg-light glow that was once Schnabel was beginning to dim. I take care of myself so that I can survive. As a child I found The Ten Commandments, when Moses parted the Red Sea, totally awesome, and Moby Dick, when you get to see the great white whales eye its terrifying. Instead of trying to control things and make it the way you want them, you have to be more open.”, “I think an ambition as a performer, and maybe even in life, is to become less afraid. Though a couple of Schnabels historical smashed plate paintings are on view, most prominently his groundbreaking 1978 Patients and the Doctors, having settled back into the dust bin of history, they bear none the initial excitement that they engendered when they first turned the art world on its head. Interview June 2006 p. 102-109 TRACEY EMIN AS A GIRL, TRACEY EMIN WOULD CREATE DOLLHOUSES OUT OF CARDBOARD BOXES AND WALL HANGINGS THAT SHE'D STITCH TOGETHER BY HAND. They need to be able to feel comfortable enough to trust me so they can do something and know I won't let them get hurt. And that is also the beauty, that you pass on something, that you let something live, that you allow it to confront. But it was never my intention to do that, to be a chameleon. Julian Schnabel interview for Miral. It’s probably an ongoing thing for all of us — and a tricky balance. So commercial success doesn't interest you? Though he felt fenced in at the University of Houston, the vast state spawned a passion for big ideas and a big canvas. Success only comes in one form. You can’t get in the way of the whole thing by messing it up with great ideas or smart moves. You learn by failing.”, “I think you have to slow down a little bit. Dans le cabaret parisien Shéhérazade, Thierry ARDISSON propose à Julian SCHNABEL de répondre à une interview "pinceau" (en anglais sous-titré français). It is a great thing to have. It is an interest, which according to Schnabel, goes back to his growing up in Brooklyn during the 50s. At first I was quite intimidated! Not a bad ending for a Schnabel comeback. I have to like it. I think the idea was that maybe people from the film world would go and see the museum and it would bring these worlds together. Look at all the people you could have worked with, the roles you could have done. I feel that I’ve made what I would call mistakes. Julian Schnabel. Jagged white lines stretched across the dark canvas. Menu. Crowds aside, the viewer is continually reminded, by the size, power, and experimental brashness of the artists executions, that there are only three people here to take into consideration””you, the looming art works themselves, and the branded hand of Schnabel, whose resonance signature announces itself at every turn. Julian Schnabel: S’il y en a un, c’est un cri pour la paix! I’m really interested in that as a process because the process moves you in directions that you couldn’t rationally put there.”, “It's just so boring listening to false modesty. © 2010 Julian Schnabel. Play nice. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”. Keep making that weird stuff.”, “I just keep imagining myself thirty years from now thinking, ‘Why didn’t you take advantage of all the opportunities you had? If you are paying attention, you can learn every second of the day. What Goes Around Comes Around You have to respect people, be a good person. But everything you do is a part of you. And it gave me mostly a great time.”, “Writing itself should be so extreme, so wild, and so much fun that it doesn’t matter whether or not you ever sell the book.”, “When I was younger I had these moments where I was surprising myself with my spontaneity, and I thought, ‘This is what you should be chasing.’ The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful.”, “You better make every moment count. Somehow it’s just all connected and I wouldn’t change any of it.”, “I have to free myself from my creation, I have to send it off, I have to give it up. Gladiator won the Acadamy Award, Russell Crowe won the Acadamy Award. And that’s it! You mustn’t sit around waiting to die.”, “I wouldn’t ever compromise on the essential, on the essence of a project, the ideas or the themes.”, “Part of being a designer is to fail every day, to try things that don’t work out. Julian Schnabel hugs interviewer. I prefer to paint; I don't have to translate anything. I thought about folding, but I’m not a quitter. Short Profile. Share. Do you prefer filmmaking or painting more? He talks about how the lead actor Mathieu Amalric was … On the publication of a super-sized new monograph, the artist is as combustible as ever He was wearing his installation outfit, plaid shorts, a long sleeved plaid shirt buttoned to the top ““ which masked his usual manly display of chest hair ““ and a pair of well-weathered black Vans. Why did you start taking pictures in the first place? It was the beginning of the so-called Decade of Greed. He was a movie director. Julian Schnabel (born October 26, 1951) is an American painter and filmmaker. I don’t have a family, I am by myself, I have made very strict choices.”, “I act on intuition. Obviously I’m not perfect but the thing I am best at is painting.”, “In life it’s about opening yourself up. ), NSU3Mm Good point. But what you can admit is that you made quite an interesting transition from acclaimed artist to successful filmmaker. And the photographs that I took are very physical; they are like paintings in a way. The film is based on the life of American postmodernist/neo expressionist artist Jean-Michel Basquiat.Basquiat, born in Brooklyn, used his graffiti roots as a foundation to create collage-style paintings on canvas. JULIAN SCHNABEL: I’m from New York originally. Do I think it’s good if people like it? My parents hated the comic strips, they hated rock ‘n’ roll, and when they found out what movies I was going to they also were against that. Art and Film, deftly curated by David Moos, is an ingenious way of refurbishing Schnabels art world reputation while reintroducing him to the general public more familiar with his films than his art. So to cut it short: was Stanley Kubrick a photographer? Sometimes I even took the sheet and rolling it up used it like a bat.”. I thought:If I feel like I should do it, I should do it. It’s about tapping into your instincts and your energies. If I made money doing it, I would do it; if I didn't make any money, I would do it. Painted in 1990, specifically made to be exhibited in the city of Nîmes at the Maison Carée, an ancient Roman temple, here, the 3 canvases, removed from their original site, like epics movies that ends up on a small television screen, their sense of wonder has been severely muted. Do I think Javier Bardem's performance was better than Russell Crowe's, although Russell is an excellent actor? In the three largest paintings ““ each one 22 feet by 22 feet, one inch short of the gallerys 23 foot ceilings ““ though you would not know it unless you read the label or wore a head-set ““ Schnabel returns to the theme of bullfighting. Because I was dissatisfied with how my work looked when it was photographed by other people. If I think that something is good, it is fine. I made the movies that I made, I think I did a good job, but if I couldn't paint, I don't know what I would do. The whole truth, and nothing but the truth, so help me God. video 28 avril 1990 863 vues 09min 29s. Even in failing that, you’ll hit a higher mark than if you never tried.”, “I have an irrational fear of boredom. You will always find something new to go after.”, “I always say ideas drive the boat. The exhibition, using some sixty of Schnabels works, dating from his 1975 Painting Norma (Pool Painting for Norma Desmond), a tribute to the film Sunset Boulevard, to the present, traces the artists interest in cinema through his paintings, sculptures, and photographs, many of which refer directly to specific actors, filmmakers and their films, such as Pasolinis Accattone and Vittorio de Sicas Shoeshine. Julian Schnabel Celebrity Profile - Check out the latest Julian Schnabel photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Exporter. Julian Schnabel is a painter and filmmaker known as an integral member of the American Neo-Expressionists along with Jean-Michel Basquiat and Eric Fischl. But if I don’t fail, then I’ll be in a great movie. Would I rather be Ridley Scott? “I think you know when you’re playing it safe, when you’re stagnating, and when you’re growing. To date, he has accumulated two ex-wives, 5 children, two houses, and has directed 5 movies, Basquiat (1996), Before Night Falls (2000), Lou Reeds Berlin (2008), and The Diving Bell and the Butterfly (2007), the latter garnering him a Golden Globe and Cannes Film Festival awards, as well as an Oscar nomination, for Best Director. It’s always a progression, it’s about challenging the idea of what photography is.”, “My work and my life are the same thing to me. Time is something that changes every moment, it’s never repetitive — I try to follow this example.”, “If I knew that tomorrow a meteorite would destroy our planet, I would start shooting a new film today.”, “Having come out as a gay man and the self-confidence that gives you is huge! I expect that of myself, that’s for sure.”, “It’s easy to have inspiration and have a vision and an aesthetic, but if you don’t have the execution and you don’t get it out there properly and on time, it doesn’t matter. Absolute trust is, I think, the crucial ingredient.”, “I think it’s so good to try new things and open the window and let some fresh air in and try to eliminate any regrets.”, “I really lacked confidence at the very beginning. But I prefer to paint. I hope to be the kind of actor that isn’t always great.”, “I was always trying to innovate; I don’t like repetition. But in a strange but appropriate twist for a man whose body of work now spans five decades, his paintings are less instantly identifiable—they elude the instant iconic familiarity that turned many of his contemporaries rising in the ’70s and ’80s into visual brand names. I don't have to know if it is good or bad while I am working. Back. Nothing can prepare you for it, just like a broken heart. Live your life now; start in the morning. Une façon de dire «Ouvrez vos cœurs et vos esprits, prenez le temps de vous comprendre». The year was 1979. The idea and excitement of being in these situations and places — they are more than just memories, they inform your life.”, “You don’t have to please everybody. Olatz Schnabel and Julian Schnabel attend GUCCI and INTERVIEW MAGAZINE host premiere and after-dinner for THE DIVING BELL and the BUTTERFLY at... Olatz Lopez Garmendia, Mathieu Amalric, Emmanuelle Seigner and Marie-Josee Croze attend GUCCI and INTERVIEW MAGAZINE Host The Premiere Screening of... Olatz Schnabel and Stephanie Seymour attend Vanity Fair hosts their Tribeca … That was a big journey for me! The year was 1979. The most compelling portrait on view is the 1982 The Portrait of Andy Warhol painted on black velvet, in two sittings and 5 hours. TODAY HER WORKS STILL HAVE THAT SAME HOMESPUN QUALITY BUT IT'S THE IN-YOUR-FACE, NO-HOLDS-BARRED WAY THEY SPEAK ABOUT HER INNER LIFE THAT BRINGS DOWN THE HOUSE BY JULIAN SCHNABEL DRAWINGS FOR INTERVIEW … A case could be made that Julian Schnabel is the most American of painters, New York Jewish, born and bred in Brownsvillle, Texas, where he discovered Mexican culture and Catholic iconography. When I first saw Repulsion I realized a movie can really get inside of you. She is looking, that is, if she was allowed to see, straight out at us. I don’t take the easy way. I've worked for many, many years so I'm really enjoying that my hard work has paid off… I think you should know your worth!”, “Even though I wanted to be minimal, for the first 20 years in my career all I did was add things; more courses, more ingredients. Do you need external confirmation, or is it something explicitly personal? Introduction to the Interview Portait of Julian Schnabel Photo: Edward Rubin taken at time of interview Aug, 26, 2010 At age 27, Brooklyn-born artist and filmmaker, Julian Schnabel, the soon to be 60-year-old, turned the art world on its head with his smashed plate paintings. And you get something from it. Interview pinceau de Julian Schnabel Lunettes noires pour nuits blanches. We know Julian Schnabel as a painter (the plates) and as … Julian Schnabel's Polaroids: 'Smoke and mirrors and happy accident' Kate Kellaway . And after a while, I realized that that was a blessing—even though some people who liked work of mine were dismayed when my work didn’t repeat itself. Paintings. The famous artist and award-winning filmmaker Julian Schnabel really does not like to give interviews. Maybe it should have just been called Paintings That Have Something To Do With Film. It actively grabs your attention, rather than engulfing or attempting to overwhelm you, as many of his larger works do. I think every citizen of every kind of society has to dream. It is something that you do – you can't not do it. My films did better over time.”, “If you are ambitious, you are running in a tunnel that never ends. I want to be the best. First, Julian Schnabel conquered the art world, then he was nominated for four Oscars for his 'hobby', film-making. Julian Schnabel. listening to [Director Julian Schnabel] interview of Q&A,who said that was his intention to make you feel claustrophobic about what these people went through for survival, this is from the acclaimed semi-autobiographical novel By [Rula Jebreal],who also did the screenplay for the movie.. En lire plus . How did that come about? I wanted to show the way paintings look inside places where I am working. It’s a process.”, “I never thought of art as a career. Julian Schnabel at the Art Gallery of Ontario. “Just like painting, going to the movies was an escape for me from the ordinariness of everyday life at home,” Schnabel told me. “Movies were more real to me than my life at home. It could haunt you, and you could identify with it.”. Hiam Abbass, Julian Schnabel Interview : Miral. So I was taking these pictures over the past eight years and I didn't have any intention to show them and this woman came and looked at them and said: do you think we can show those photographs? It is one of the few works in the exhibition that jumps out at you. I think you’re only limited by your imagination.”, “I just want to do everything as good as I possibly can but it is also good to act on an idea and fail — and then you get something out of it. Julian Schnabel: You know, when I was younger I was worried if the last painting that I made didn’t look anything like the one that came before it. At least for now, until they are gathered en masse for maximum effect”“ and hopefully this will be soon ““ they remain an anachronistic oddity. Some boundaries are necessary of course and some are accepted, but the ones that I don’t want, I want to remove.”, “I think that when you’re a creator, you set out to create the perfect thing, but the idea of reaching that kind of creative nirvana — that’s something that you should never quite reach.”, “I give my best performances when I am almost snapping. Each action has a reaction. That’s it, I can’t lie; it is what it is, unabashed, naked. Most people make art and movies as a job and if a lot of people go to see it they make money and that is their sign of success. Even if I am making a movie, I get to a point where I throw the script away. I have final cut on my films and I don't care how much money they ultimately make. Portait of Julian Schnabel Photo: Edward Rubin taken at time of interview Aug, 26, 2010, At age 27, Brooklyn-born artist and filmmaker, Julian Schnabel, the soon to be 60-year-old, turned the art world on its head with his smashed plate paintings. No. If I never made another movie, I probably could live okay. 05/10/2018 - Cineuropa a rencontré l’artiste et réalisateur Julian Schnabel, à qui on doit At Eternity's Gate, un film sur les dernières années de la vie de Vincent van Gogh There’s nothing else I could ask for, really, and if I drop dead tomorrow, I would have had a terrific time.”, “One of the reasons why I have this much success is because I’m hard on myself. If you stop dreaming, it’s over.”, “I work till the breath goes out of me, and that might be at one or two or even four or five (in the afternoon). Though I do not presume to know what it is about, nor what it represents, the lush and crazily colored figure in the painting, a mix between a tampered down Frances Bacon, an Alice in Wonderland character, and some dizzy dame, is highly exciting and very much alive. I wasn’t accepted in the kitchen initially, I wasn’t part of the system; the other chefs didn’t welcome me. Go for it.’ And that’s what I am thinking.”, “I think you always have to have risk when you’re creating a piece of art. Courtesy of the artist © 2006 Julian Schnabel. Are you in a way proud of all these different careers? To me, there’s only one point of view: that’s mine.”, “If you have to defend something that you like, it makes you to like it even more. No. The first painting that meets you head on as you walk into the exhibition is the Last Dairy Entry (for Roman Polanski) 2010. It is dangerous, but it is also sublime.”, “I have a moral standard of my own. Rula Jabreal, Schnabels current love interest, and the author of the book on which Schnabels soon to be released movie Miral is based ““ it opens worldwide this December ““ is seen wearing the same dress that actress Emma de Caunes wore in The Diving Bell and the Butterfly during one of Jean-Dominique Baubys reveries. One near-mesmerizing, disarmingly simple painting that still sticks in my mind ““ one of fourteen that Schnabels painted for his “Big Girl Paintings” series in 2001 ““ is Large Girl With No Eyes. In Conversation with Julian Schnabel The multidisciplinary artist reflects on his career. From the age of 17 until 23, I didn’t take any vacations, I had almost no days off.”, “In your life there’s a moment when the door opens and you need to walk through the door then. I shouldn't worry that the art world is going to say, “Oh, Schnabel thinks that we're not good enough for him, he is going to make movies now. Not that he wasnt still playing ball when he turned to film directing, a move which further eclipsed his reputation as a painter, but has as an independent metier for the visual artist generated deserved critical approbation, as this show attests. I live from my heart. Another small gallery is filled with portraits that Schnabel has painted, including one of himself that reads “from the collection of Johnny Depp.” Even with their tacky framing, which reads young and very early 80s, the slickly painted, slightly garish portraits, compelling in a nervous sort of way, are not half bad. Julian Schnabel est un Réalisateur, Acteur, Scénariste américain. Yes. RATCLIFF: Yes. With some 100 solo shows, a 1980 Venice Biennale appearance, and a Whitney Retrospective in 1987, posted to his reputation, Schnabel was all the rage – a force of  nature; with his wife, a fashion icon of the city; (and he outlived Basquiat and Warhol and became best friends with Lou Reed). 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